Fig.1
The entirety of the film except for a few short scenes is set in a series of flashbacks, told from the perspective of the protagonist, Francis, as he retails the story of how he met his supposed fiancĂ©e, and how they experienced traumatic event's at the hands of a Doctor and his Somnambulist. You find out at the end of the film, that the entire story excluding the scene's outside of the flashbacks, is actually based on fictional thought's of Francis, who is in fact a patient of a mental hospital, where his fiancee is actually just another random patient, and the supposed mad scientist doctor archetype is actually his own psychiatric doctor. This is the films big plot twist "It also owns the claim to the first ever plot twist in film, although this was not the movies original intention, the director was asked to change the original ending as it was thought to be too strong. What must the 1920’s audiences made of this gruesome venture, the likes of which they had never seen before." (Ellinger, 2013)
Fig. 2
This can explains the design of the world the film takes place im, through-out the feature you see that structures, buildings, and other scenery, everything is warped, twisted and bizarre looking, everything has strange angles and wouldn't really make sense in the real world "Nothing is naturalistic in the world they create, with bizarre angles, crazy patterns, and distorted proportions setting the film in a stage-like world obviously not our own" (Boslaugh, 2014). This is because the entire world we saw in the flash backs has been conjured by the thought's of a madman, and this can be perceived as his broken view on the world.
Finally this movie ends on a rather somber note, where its left for the viewer to decide who was really telling the truth, and to decide the fate of the characters for our own, a trope which will become common place in the cinema's of today "Nothing is to be trusted: the narrator is unreliable and damaged from the first frame; the actors’ non-realistic performances suggest they are all being directed by some meta-Caligari, and the sets suggest an insidiously psychic, rather than actual, landscape. Even the ‘happy ending’ is enigmatically creepy. The psychiatrist’s sudden revelation that he now knows how to treat the patient feels as much like a threat as a promise." (Bleasedale, 2014)
Bibliography:
(Ellinger, 2013)http://thegoresplatteredcorner.com/2013/08/13/the-cabinet-of-dr-caligari-1920/
Fig. 3
Finally this movie ends on a rather somber note, where its left for the viewer to decide who was really telling the truth, and to decide the fate of the characters for our own, a trope which will become common place in the cinema's of today "Nothing is to be trusted: the narrator is unreliable and damaged from the first frame; the actors’ non-realistic performances suggest they are all being directed by some meta-Caligari, and the sets suggest an insidiously psychic, rather than actual, landscape. Even the ‘happy ending’ is enigmatically creepy. The psychiatrist’s sudden revelation that he now knows how to treat the patient feels as much like a threat as a promise." (Bleasedale, 2014)
Bibliography:
(Ellinger, 2013)http://thegoresplatteredcorner.com/2013/08/13/the-cabinet-of-dr-caligari-1920/
(Boslaugh, 2014)http://www.popmatters.com/review/188116-the-cabinet-of-dr.-caligari-by-robert-wiene/
(Bleasedale, 2014): http://www.electricsheepmagazine.co.uk/reviews/2014/08/01/the-cabinet-of-dr-caligari/
Illustration's:
Fig. 1:http://dailygrindhouse.com/thewire/psychotronic-netflix-december-dump/
Fig. 2:http://cinesourcemagazine.com/index.php?/site/comments/predicting_the_future_thru_film/
Fig. 3:http://mesfilmclub.com/letting-your-hair-down-ladies-their-locks-and-symbolism-in-cinema/